Oceanic

Out April 10th, 2018 from Copper Canyon Press

In Oceanic, Aimee Nezhukumatathil hums a bright blue note—a sensuous love song to the Earth and its inhabitants. Oceanic is both a title and an ethos of radical inclusion, inviting in the grief of an elephant, the icy eyes of a scallop, “the ribs / of a silver silo,” and the bright flash of painted fingernails. With unmatched sincerity, Oceanic speaks to each reader as a cooperative part of the natural world—the extraordinary neighborhood to which we all belong. This is a poet ecstatically, emphatically, naming what it means to love a world in peril.

Preoccupied with earth science since childhood, Nezhukumatathil crafts her research-based poetry using curious phenomena of the natural world; realizing a vision of strangeness and beauty.

Nezhukumatathil’s poems contain elegant twists of a very sharp knife. She writes about the natural world and how we live in it, filling each poem, each page with a true sense of wonder. —Roxane Gay

* Oceanic is a Rumpus much-anticipated book of 2018 and one of Publishers Weekly’s top 10 poetry titles for Spring 2018!

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 NEW! Fresh off the Organic Weapon Arts press: my new collaboration of epistolary/nature poems with poet Ross Gay!

 

From the introduction: “In the late July swelter and dragonfly buzz of the summer of 2011, we began a poem correspondence, based on no prompts, no assignments— just that we were to send a poem at least once a week, maybe more if we were lucky. We were just going to hold each other accountable knowing someone was waiting for our poem three states away. Happy mail.”

 

Order yours directly from this incredible, visionary press and support small presses HERE.

 

 

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Download the  Reader’s Companion for Lucky Fish.

“A farmer is devoured by a flower in one of the many beguiling poems of Lucky Fish. This is the sensation I often had reading Aimee Nezhukumatathil’s wonderful new collection—that of being immersed in a limber intelligence. Rooted in the terrains of culture, place, and parenthood, and buoyed by inventive language that is joyous and sincere, Lucky Fish is a book of copious heart and imagination. How wonderful to watch a writer who was already among the best young poets get even better!”
—Terrance Hayes

 

“Aimee Nezhukumatathil’s latest collection of fanciful and carefully wrought poems are once again far-reaching in geographic scope and linguistic imagination. Here is a poet willing to praise the earth, the animals, the ‘mud and its confusion,’ as well as the human ‘sleep-sloppy mouths.’ These are sensual dreamscapes of allegory and fable, but with a righteous bite and the razor sting of perception,Lucky Fish is alive with the poet writing well and passionately in a world she cares deeply about.”
—Dorianne Laux

 

“In Lucky Fish, a reader will encounter new words used together in original ways, new perspectives wound around each other—once, twice, three times—in enlightening combinations, and new music, new sounds, new rhythms presented in a clear, searching, and engaging voice. Aimee Nezhukumatahil’s poems create a captivating world of culture, family, and the earth. Enter, explore, and enjoy.”
—Pattiann Rogers

 

“The sense of wonder in Aimee Nezhukumatathil’s poetry has the quality of a cool breeze on a hot day. These poems convey affection for and passionate involvement with the world. ‘I want to always know the brightness/of a gumball,’ she writes, and I believe her, believe she wants and is capable of such luster, such innocence.”
—Bob Hicok

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REVIEWS for Lucky Fish:

“. . . Cultural strands are woven into the DNA of her strange, lush, but oh-so-American poems. In ‘The Ghost-Fish Postcards’ she writes: ‘First the perfume of cobra wraps around your wrist — then the bloom & bite: summer,’ and ‘There are stars that are cola-colored. Your word is the window. The window is the word. Each night the quail calls, Wet my lips, wet my lips.’ Aphorisms . . . from another dimension.”

The New York Times

“Nezhukumatathil’s third book is fascinated with the small mechanisms of being, whether natural, personal, or imagined. Everything from eating eels in the Ozark mountains to the history of red dye finds a rich life in her poems. At times her lush settings and small stories are reminiscent of fairy tales (“The frog who wanted to see the sea was mostly disappointed”), while at others Nezhukumatathil speaks with resonance and fierceness: “The center of my hands boiled/ with blossoms when we made a family. I would never flee that garden. I swear to/ you here and now: If I ever go missing, know that I am trying to come home.” Even as the poems jump from the Philippines to India to New York, they still take their time, stopping to notice that “there is no mystery on water/ greater than the absence of rust,” and to draw small but wonderful parallels: “I loved you dark & late. The crocus have found ways to push up & say this/ too.”

— Publisher’s Weekly

“In vivid imagery, warm yet penetrating, Aimee Nezhukumatathil’s Lucky Fish moves from India to the Philippines to New York state to capture a rich life, richly lived.”

Library Journal

“You could say that this charming and buoyant book is “about” a lot of things—finding a home, love—but really, these poems point toward the importance of attentiveness as a path to joy, however fragile. And while the poems are lucid enough that even the most inexperienced poetry reader would find pleasure in them, they are, like joy itself, anything but predictable or simple.”

Orion

“…Aimee Nezhukumatathil’s third book, recently released by Tupelo Press (which also published Miracle Fruit and At the Drive-In Volcano) affirms her reputation as one of the master miners of the curios fact in science, history, nature and culture. With unparalleled ease, she’s able to weave each intriguing detail into a nuanced, thought-provoking poem that also reads like a startling modern-day fable…”

–Rigoberto Gonzalez, The Poetry Foundation

“…Aimee Nezhukumatathil is a poet who delights readers with her keen view of the world, which is often influenced by her insatiable wonder and her travels; this year, she gives us the gift of a beautiful third book, Lucky Fish. The book is her invitation for readers to join her in a sensual experience of the world and all its beings, human and creaturely…”

California Poetics

Lucky Fish asserts the supremacy of the sensual over the cerebral, the imagination’s brightness as essential to the illumination of the real. We are most alive, these poems all but sing, when sensing and perceiving more than judging, and this almost radical poetic stance is the backbone of Nezhukumatathil’s new collection.”

New Pages

“But there is no dullness of sheer description. The language is enlivened by the receptivity of an eye’s first glimpse and the tendency of a mind to tend its knowledge of the world’s appearances. Lucky Fish is Nezhukumatathil’s best book…”

On the Sea Wall

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At the Drive-in Volcano was named the winner of the Balcones Prize, which honors an outstanding book of poetry published during the year. The Balcones Poetry Prize judges praised her “tight, economical poems that contain just the right amount of darkness and elegance,” poems that are “extravagant and accessible,” “fresh and funny, congenial and sharp,” and said that she has “heeded Pound’s call to make it new.”

Read sample poems from the book here.

Praise for At the Drive-in Volcano:

“Aimee Nezhukumatathil’s poems are as ripe, funny and fresh as a precious friendship. They’re the fullness of days, deliciously woven of heart and verve, rich with sources and elements — animals, insects, sugar, cardamom, legends, countries, relatives, soaps, fruits — taste and touch. I love the nubby layerings of lines, luscious textures and constructions. Aimee writes with a deep resonance of spirit and sight. She’s scared of nothing. She knows that many worlds may live in one house. Poems like these revive our souls. Read them, then say her glorious name over and over again like a charm of syllables — it’s a poem of its own.”

— Naomi Shihab Nye

“Of the generation of American poets to launch their careers over the past decade, Nezhukumatathil may be the most successful at balancing a well-crafted formal restraint with an unabashed exoticism of the senses. No less an epicure than a natural historian, a pop cultural maven than a global village storyteller, her work excels at finding the possibilities in cultural difference and inventing a new lexicon for corporeal desires.”

–The Buffalo News

“These are poems of great accomplishment that feature a tremendous diversity of subject matter and tone. The collection wanders between love poems and childhood-memory poems and travelogues, all bound together by Nezhukumatathil’s distinctive voice and considerable skill.”

Third Coast

“Nezhukumatathil’s poetry is a delicate whisper…[and] many of the images in her pieces are described with scientific precision.”

India Currents

“One of Nezhukumatathil’s most noteworthy gifts is her ability to calibrate diction and narrative so poems are at once crafted and ragged, straight-forward and mysterious.”

–West Branch

“Her attention to the aural element provides a solid sonic scaffolding for her work…Nezhukumatathil is a talented young poet, and At The Drive-In Volcano is a fine collection of her work that’s worth the investment for anyone who enjoys skillful-crafted poetry.”

–The Avatar Review

“The curious finds in nature and human folly, which might otherwise get slumped into trivia or become the odd ingredient in a conversation starter, are skillfully and delicately handled…Nezhukumatathil’s poetic lens is indeed smudged with an anxiety that gives her second book a distinctively sinister edge…The result is daring and dazzling.”

LUNA: A Journal of Poetry and Translation


“The poems in At the Drive-In Volcano, Nezhukumatatathil’s sharp and witty second collection, showcase not only the poet’s dexterity with language, but also her ability to tie natural oddities to our human experience, to make us see connections in the unlikely of places.”

Mid-American Review

“Aimee Nezhukumatathil’s second collection can be as vivid as a lava flow and as cool and keen-edged as obsidian. Perhaps most vivid is the landscape of love, with its smooth and rocky terrain: “I will curl around you like / a pistol shrimp and you will wonder / where all this sand is coming from.” Direct in tone and sentiment, her work is laced with humor and pragmatically hopeful.”

–Open Books Emporium, Seattle, WA

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Founded in 2004 by Matt O’Donnell and Camille T. Dungy, From the Fishouse is an IRS-registered non-profit that promotes the oral tradition of poetry. Here’s an archive of my readings.

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Miracle Fruit was the winner of the 2001 Tupelo Press Judge’s Prize.

Praise for Miracle Fruit:

“The language of these poems seems to be handled effortlessly; it is both crafted and conversational. The poems in Miracle Fruit aim to create harmony and to make the ordinary magical—and they succeed.”

— Women’s Review of Books

“The success of these poems rests partly in the poet’s skill w/ an eclectic menu of recipies…appetizing and effective…something to satisfy nearly every palate.”
— NewPages Book Review

“Like Robert Hass, Nezhukumatathil ends her best poems with the most striking image…her world comes out that way: sensuous, brightly-colored, and deliciously new.”
— Court Green Magazine

“[Her poems] have great imagination…carefully and colorfully written.”
— South Asian Women’s Network

“It is what I hope all debut collections should be: raw, exhuberant, unforgettable.”
— Third Coast

“The pleasure of this collection is Nezhukumatathil’s willingness to share with the reader her…sense of wonder at the physical world, her delight in sensuality, as well as a certain gentle wisdom in understanding and interpreting human relationships.”
— Indiana Review

“With a lovely, effective poem about elephants, a boat-shaped poem whereby “The Bonsai Master’s Daughter Breaks Her Silence” and a “Canticle with Sea Worm” (“blessed be juice and raspberry vodka”), the Miracle Fruit of Aimee Nezhukumatathil’s debut comes through in light bursts of clear sensuality and joy.”
–Publisher’s Weekly

“…one of the most distinctive and promising new voices…[Miracle Fruit] displays an excellent range and command of verse form…”
–The Buffalo News

“…here was a miracle voice in poetry, still so young and, indeed, fresh, and yet so assured, with fine touches manifesting mastery of tropes and other tricks…”
–The Philippine Star

“Aimee Nezhukumatathil has nothing to apologize to her readers for in this satisfying first book…it represents a talent…”
–Crab Orchard Review

“[Nezhukumatathil’s] poetry is fresh and tireless…each poem is focused and bright, each moment acting as if caught within the excited state of a molecule…skillfully humorous and charming…”
–Mid-American Review

“As long as you remain in the folds of Miracle Fruit, your world will stay intact, colorful, and sweet.”
–Meridian, the semi-annual from The University of Virginia

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Fishbone was the winner of the Snail’s Pace Press Chapbook Prize.

“From pickpockets to peacocks, elephant rides to electrocuted oysters, miracle fruit to the Incrdible Hulk, Aime Nezukumatathil teases the uncommon out of the commonplace,the miraculous out of the mundane. With a sensory zest that tickles both mind and tongue, she invokes her heritage in inimitable poems that go straight for the heart. Her gift for gloriously exact detail, her vulnerability, and her humor make Fishbone an impressive and eclectic debut.” – Ron Wallace

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